The Canon EOS-1DX, being a full frame CMOS with 18 megapixels, has so much to offer. It delivers HD videos; it has a fast and accurate focusing; it has a huge ISO range, and the shooting speed is super fast. Still, even with these features, you could be thinking of taking your photography to another level by mounting an additional lens. When combined with a quality lens, the Canon EOS-1DX can even give you images and videos that will blow your mind away.
So, which Canon lens should you use with your mark ii body? Well, you will have to do diligent research for you to know about the best lenses for Canon EOS-1DX.
Luckily, it’s a good thing you’ve got us because we have done the research for you. So all you have to do is make a decision. Our review of the best lenses for Canon EOS-1DX discusses which lens you should choose; be it a wide angle lens, a standard zoom lens or a telephoto lens.
Let’s get started.
Best Travel and Portrait Lenses for Canon EOS-1D X
The Canon 24-70mm is a standard zoom lens that gives you the convenience of a zoom lens without sacrificing on image quality. However, this lens is heavy and insanely expensive. Still, it’s superior and sufficient for portrait works. Apart from giving you stunning portrait works, it works well for low-light events and landscapes. Another interesting feature of this lens is its fast and spot-on autofocus. Photos shot with this Canon 1DX lens are sharp across the entire range. Expect the images to have less chromatic aberration when shooting at both wide and narrow apertures.
Verdict: Although it is expensive, it is worth every penny, and a pro photographer would love it. If you are a hardcore photographer who gives a lot of details to shutter speed Aperture and ISO, this Canon lens is a great pick.
The Canon EF 50mmm f/1.4 is a prime lens that does it all. It’s well-built, stable and it is reasonably priced. For sure, when you have this L glass, you don’t need to carry your kit lens. If you need a lens for artistic work, the 50mm 1.4 is an excellent choice. You can use it to capture flowers, insects, and other macro images. Also, it is suitable for portraits, action shots, and wildlife photography. Unlike the 24-70mm it does not zoom. However, it will give you an artistic effect because of its narrow depth of field. Because its aperture allows enough light, you can shoot with the lens in low-light environments and still get crisp, low-noise photos. Also, it produces a spectacular bokeh, one that is smooth and fancy.
Subjects shot with this Canon lens are sharp and have a blurred background. Because the lens has an extremely shallow depth of view, you can focus on a subject while maintaining a blurred background.
Verdict: If you plan to capture photos indoors, it can be family pictures or party photos, this lens is not the most suitable for the job. It will not give you full shots when shooting outdoors. Even so, it is the best Canon 1DX lens f you are hoping to shoot outdoors, either portraits or macro photography.
Best Standard Prime Lenses for Canon EOS-1D X
A zoom lens is the best option when you want to shoot at apertures of 2.8 or narrower. If you have plans of taking photos at wide apertures, then you are better off with a 1.4 or 1.2. That said, the 50mm f/1.2 is the best prime lens for Canon 1DX. It has a build like that of a beast, and if you were to smash it on the floor, it would probably create a depression. Given it has a built like that of a tank, it is pricey. Still, it gives you an extra 1/3 f-stop. The F/1.2 gives more focus on resolution. At shooting at 1.2, the lens produces lovely and incredibly sharp images. Because the lens has a narrow depth of field, the images tend to be tack sharp at the center, with blurry images.
When you compare this Canon 1DX lens to the f1.4, this lens has a creamier bokeh, and the colors it produces are more popped up.
Verdict: Choose the 50mm f/1.2 if you most of the photos you are targeting are below f/2, and you want those images to have a subconscious character. Otherwise, if you are shooting above f/2 and you are working on a tight budget, choose the 50mm f1.4.
Another lens for Canon 1DX is the 50mm f/1.4. How does it compare to the 50mm f/1.2? Let’s see. First, the 50mm f/1.4 is a prime lens designed to minimize chromatic aberration, spherical aberration, and astigmatism while still offering an ultra-wide angle. It can capture portraits, actions shots, landscapes, and wildlife. You can do without your kit lens once you have this Canon lens. Just like the 50mm f/1.2, this lens has a narrow depth of field; hence, it will give exceptional sharpness when you focus on a particular place while leaving the corners blurry. It will provide you with artsy photos when shooting insects, flowers and other macro images. When you change the aperture setting to f/2.5, you get even more options, including kids, animals, and wildlife.
Verdict: Pick this Canon 50mm f/1/4 if your goal is to capture macro or portrait shots in outdoor environments. It is the best Canon 1DX lens for the job.
Best Telephoto Prime Lenses for Canon EOS-1D X
The Canon 135mm f/2L is a prime telephoto lens that shines when taking portraits and distant subjects. With it, you can capture candid unrehearsed shots. To some people, this is a breeze and a big advantage. At a focal length of 135 mm, you will get shots that are intimate and full of life. Sometimes, you may find that your hands are shaky, regardless of your shooting technique. This lens will allow you to achieve a photogenic stance even when shooting at 1/125 shutter speeds. Images from this Canon 1DX lens are tack sharp and stunningly beautiful – the photos will blow your mind away. Even pictures that are shot in low-light environments look gorgeous. Also, the Canon lens produces a bokeh that is as smooth as butter.
If you are a photographer who spends most of the time shooting at wedding occasions, this lens won’t leave your arms. It’s not as heavy as the 70-200mm. Lastly, you can use it with the 1.4x II and 2x II EF extender.
Verdict:Pick the 135mm if you are a newbie. It is the best lens for Canon 1DX if you are just starting out. This lens will make you a better photographer. That’s because you have to compose and think of the shots you want to have before you mount the lens on Canon EOS body.
This Canon 1DX lens is mainly suited for macro photography. However, it can serve yet another purpose – you can use it for portrait work. Although it is made of plastic, the lens is robust, and it has a solid feel. When you compare its weight to the 135mm, this Canon lens is lighter. Apart from that, it uses Canon’s image stabilization system, which gives about a two stop advantage. Because of this feature, you can take handheld shots in low light. Unlike some lenses where you have to turn off the image stabilizer when shooting with a tripod, with this lens you don’t have to. Portraits and Macro photos captured with the 100 mm focal length look stunning and ridiculously sharp. Besides producing sharp photos, it produces pleasing bokeh, thanks to the 9-blade circular aperture.
Verdict: The Canon 100mm f/2.8 has to be the best telephoto lens for Canon 1DX. Yea, it’s pricey than the 135mm, but that’s because it has an image stabilization system and it is a luxury lens. So, it’s worth spending the extra bucks to get it.
Best Wide-angle Prime Lenses for Canon EOS-1D X
If you need a wide-angle prime lens for Canon 1DX, the TS-E 17mm is one terrific choice. It’s one of the best lenses for Canon EOS-1DX, but also expensive. However, the high price can be justified. This tilt-shift lens is top quality, and it features a beautiful construction. With it, you can capture tight interior spaces and cityscapes. Also, it uses UD and aspherical elements to reduce chromatic aberration. A circular aperture makes the Canon lens produce creative, blurred highlights. When shooting wide open at 17 mm, you may get some distortion, but it is not evident in all the photos. But this is expected since its wide-angle prime lens.
EF extenders like the 1.4x will combine well with this tilt-shift lens. For instance, when you mount a Canon 1.4x EF Extender on the TS-E 17mm, its focal length transforms to 24mm. Perhaps the only downside of this lens is the challenge of using filters with it since its front element is bulbous. But Fotodiox has a solution to this problem; they have developed a custom made filter for specifically this lens.
Verdict: If you are looking for a broad view, maybe for architecture/real estate purposes, the TS-E 17mm is the best tilt-shift lens for the Canon 1DX to start with before you upgrade to the 24mm.
The Canon 24 mm f/1.4 is lighter than the 17mm f/4L, but it has a robust construction. Just as expected with Canon lenses, the lens feels solid. The 24mm is light as it weights just 1.4 pounds; it’s easy to walk with it anywhere. You will fall in love with its outstanding sharpness – it will give you quality images when shooting from f/1.4 all the way to f/5.6 apertures.
When it comes to resolution, the lens’ chromatic aberration, color saturation, and contrast are splendid. Although this lens has a little vignetting, the distortion is natural and evenly spread such that the images look beautiful. Another advantage of this canon lens is that you can use it in dark settings. It allows you to shoot at ISO 200, and the photos do not have noise in them. Also, you can combine it with the 77mm filter. The filter acts as a weatherproof, and you can shoot with the lens in harsh weather conditions.
Verdict: If you need a wide angle prime lens with a low f-stop, this Canon 1DX lens is a wise pick. The 24 mm will come in handy if you want a wide-angle lens that can capture landscape photography.
Best Standard Zoom Lenses for Canon EOS-1D X
The best lenses for the Canon EOS-1DX can also be standard zooms. If you have never used a standard zoom lens, you should try the Canon EF 24-70mm. You may have had a bad experience with a standard zoom but hear me out. This Canon lens will completely change your life. Its sharpness and color rendition will stun you when capturing landscapes photos. The lens does not only come into play when taking landscapes photographs; you can use it for portraits or low-light events; it will deliver without failure. Because it uses a high-speed CPU and a ring-type USM, its auto-focusing is silent and fast.
Although it does not have an image stabilization system, images shot with prime lenses like the 135L or 35 f/2 are no different from those captured with this lens. This lens will give you the convenience of a zoom while getting the same image quality as that of a prime. Even when shooting at higher f stops, the lens has super sharpness, from corner to corner.
Verdict: So is this lens worth it? It’s one of the best lenses for Canon EOS-1D X that will enable you to take home stunning pictures. I am sure most people cannot justify for its price, but if you are a pro who makes money through photography, you can consider having it. Also, it’s worth it if you are just a photography enthusiast.
Best Telephoto Zoom Lenses for Canon EOS-1D X
The Canon EF 100-400mm is the best telephoto zoom lens for Canon 1DX. Let see why that is so: This lens has an excellent build quality and controlling it is easy because its zoom ring and focus ring run smoothly. Its autofocus is virtually silent and fast, thanks to the new USM ring-type drive. When you compare it to its predecessor, this lens is wider, heavier and slightly taller. You will love its image stabilization system that provides three modes, which you can select depending on your purpose. The image stabilization, which gives you a 3-stop advantage, compensates for the shaking because you can use this lens in windy conditions, and not use a tripod. Even without a tripod, you will still be able to capture static and flying birds. Also, it will give beautiful landscape shots. All images are sharp, including those shot below normal shutter speeds.
Images shots with this Canon lens are tack sharp at the center, but they have minimal distortion near the edges. The bokeh is smooth and creamy, although it cannot match that of prime lenses. As you zoom to 400 mm, you will notice slight vignetting, but it is nothing that will stress you. Still, the sharpness at 400 mm is admirable, but the peak performance is between 190-200 mm.
Verdict: This lens is for the photographer who is always on the move. It is an excellent choice when if you need a flexible lens that you can use when not carrying a tripod.
Best Wide-angle Zoom Lenses for Canon EOS-1D X
Another fantastic lens for the Canon 1DX is the 11-24mm lens. Even so, this lens gets mixed reviews. Why is that? The answer is: Because the images are soft when shooting wide open. You will notice the soft edges not only when you are using full-frame sensors like the Canon EOS-1DX but also when taking photos with crop sensors like the 7D or 60D. The distortion is evident even when shooting at f/4. You can use Photoshop to correct this distortion with less hassle. However, as you increase the focal length to f/8 or f/11, the corners become sharper.
So, even though this lens has some flaws, the pros far outweigh the cons. Its wide angle is perfect for landscape photography although you can still use it for portrait work. At the center, where your subject will probably be focused, the image is crisp sharp, both at 17mm and 40mm. Expect to have images that have a beautiful contrast and color rendition.
Verdict: For an L lens with superior optical performance and an affordable price, this lens fits the bill as the best wide-angle lens for the Canon 1DX. It’s versatile, and it can capture wider scenes than the Canon 35mm f1.4. When you have this, you don’t need a fast lens such as the 16-35mm, plus you can use it in low-light situations for indoor shots.
Best Macro Lenses for Canon EOS-1D X
This Canon lens has a true magnification ratio of 1:1, which is excellent for portrait and macro work. It’s one of the lenses with a beautiful, creamy bokeh, thanks to its ability to have a shallow depth of view. It has everything a prime lens would offer – the images are beautiful and crystal clear. When it comes to portrait work, the 100mm will deliver images with ultra-fine detail. The best feature about this Canon lens is its built-in image stabilization, which works like a tripod. If you tend to shake when capturing handheld shots, the IS will compensate for it. Its image stabilization can provide you with two extra stops of light, which means that you can shoot at faster shutter speeds. Also, the lens uses an Ultra-Low Dispersion (UD) element to lessen the chromatic aberration.
Because the lens is lightweight, it’s easier to carry it with you. Also, its robust and weather sealed, which means you can shoot with it in harsh weather conditions.
Verdict: The L series lens uses a higher quality glass compared to the standard EF 100mm without the IS. That is a plus for this lens. So if you don’t mind paying extra for the IS, pick the L series 100mm macro lens.
Perhaps, the major difference between this lens and the 100 f/2.8L is that it does not have a built-in Image Stabilization (IS). The IS system comes in handy when taking handheld shots. Capturing macro shots without a tripod is a challenge. Well, the IS makes it possible to do so. Should you purchase this lens, you will be restricted to using the tripod most of the time. Other than the IS, all the other features are intact. Images from the 100mm f/2.8 are not different from the 100mm f/2.8L.It’s a true macro lens for Canon 1DX, and it’s also versatile. No doubt, the images are incredibly sharp; from edge to edge, the sharpness is phenomenal.
Verdict: Pick this lens if you are just starting out in macro photography. Should you choose it, you may have to spend on extension tubes or a macro flash. If you haven’t used the L lens and you are curious, you could try renting it out fast to see how it goes.
Buying Guide for Best Lenses For Canon 1DX
When searching for a lens for Canon 1DX, there are particular aspects you have to keep in mind. Here’s is what you should know when looking for best lenses for Canon EOS-1DX:
Type of the lenses:
The various types of lenses out there include:
Ultra-wide angle lenses have a focal length of about 24mm and below. Because of their wide angle, they are capable of capturing a wider scene. They are capable of producing an image with a wide field of view. Ultra-wide lenses are suitable for interior photography, architecture, and landscape.
2. Wide angle
Wide angle lenses have a focal length that ranges between 24mm and 35mm. It’s possible to have a prime or a zoom that is a wide angle. Also, a wide angle lens can have a variable or fixed maximum aperture. The distortion in wide angle lens is less compared to that of ultra-wide lenses. You would go for a wide angle lens when you want to capture the entire scene/subject – be it a landscape, a crowd of people or building. When used artistically, wide angle lenses can be used to capture compelling portraits.
A standard or normal lens covers a focal length of about 35-70mm. Standard lenses tend to produce an image almost the same size as what the human eye can see. They are available as standard zoom lenses or normal primes. Their image characteristic varies between wide angle and telephoto. Standard lenses are versatile, and they can be used for a range of purposes, including street photography, landscape, portrait or documentary. The maximum aperture for normal prime lenses is fast – this means you can shoot in low light environments and get images with a shallower depth of view.
If the focal of a lens exceeds 70mm, then we could call it a telephoto lens. However, many would say a real telephoto lens is one with a focal length exceeding 135mm. This category of lenses can be used when you want to capture a distant subject or focus on specific details.
Telephoto lenses are capable of making far-away subjects appear closer. Since they have a narrow-angle of view, they make the subject stand out while blurring the background and foreground. You would use a telephoto if you wanted to photography far away subjects, like in sports or wildlife. Apart from that, telephoto lenses can capture portraits and even landscapes.
A superzoom lens can be used as a telephoto lens or wide angle lens. If you are fond of shooting in situations where you find it hard to switch lenses, then get a superzoom. With it, you won’t need to change lenses. Superzooms tend to have slower and variable maximum apertures. Hence, their image quality is different from that of five start lenses.
Macro lenses have a focal length of about 40-20 mm. Get a macro lens if your desire is to capture extreme close-up photos. These lenses produce images with excellent sharpness combined with a shallow depth of field. Macro lenses excel when it comes to close-up photography, but you can use the lens for portraits too.
Price and weight
Other than the type of lens, the other factor you have to consider is price and weight. If you will be spending most the day shooting, then it wise to choose a light lens. If you want a lens with extreme focal lengths and large apertures, you would have to settle for bigger and heavier lenses. That means you also get to pay higher.
Image Stabilization: This feature would enable you to shoot at slower shutter speeds, without experiencing camera shake. If your goal is to shoot videos, you need a lens with the stabilization feature.
Weather seal: a weather sealing will protect your camera when using it in extreme weather conditions. A weather sealing also means the lens’ build quality is superior/top-quality.
Special elements and coating: These elements improve image sharpness while alleviating distortion and chromatic aberration. If you are interested in having a pleasing bokeh, you may want to think about the number of aperture blades in a lens.