5 Best Macro Lenses for Sony A6300 to Buy in 2018

Best Macro Lenses for Sony A6300

Updating from the Sony A6000 to the Sony A6300 might be one of the best choices you’ve made for your life as a photographer. This newer model delivers top-class photo and video quality, and it improves the performance over its predecessor. Several new features are added to the mix, such as the ability to shoot videos at 4K, as well as slow-motion capture.

With the Sony A6300’s higher picture performance, it becomes an ideal choice for many macro photographers around the globe. The camera can assist you in bringing out a lot of detail in your photos, but that might be difficult to achieve if you’re using the kit lens.

Best Macro Lenses for Sony A6300 2018

Macro photographers are known to be meticulous when it comes to details in their photographs, so getting sharp photos of their subjects is an absolute must. The kit lens might achieve high levels of detail, but there’s a lot of prep work to be done. To get the right level of sharpness, color accuracy, and contrast in your macro photos, then your Sony A63000 requires macro lenses.

Read on to know the best macro lenses for the Sony A6300 that we’ve chosen from the myriad of choices on the market.

1. Sony FE 90mm f/2.8 Macro G OSS

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/22
  • 1:1 Magnification Ratio; Internal Focus
  • Aspherical, ED and Super ED Elements
  • Nano AR Coating
  • Direct Drive Super Sonic Wave AF Motor
  • Optical SteadyShot Image Stabilization
  • Sliding Focus Ring for AF/MF Selection
  • Focus Hold Button; Focus Range Limiter
  • Minimum Focus Distance: 11″

Macro lenses for the Sony A6300 mirrorless camera system are not known for their versatility, but the FE 90mm f/2.8 Macro G OSS lens can prove otherwise. This particular lens is not just an ideal tool to take pictures of small objects, but other types of photography can also make use of this lens, such as shooting landscapes, sports, architecture, and portraits.

However, one glance at its price tag and it might throw off some potential buyers. It’s classified as one of the most expensive macro lenses you can get for Sony’s mirrorless system. But its price tag is not all for naught as you’re going to get excellent sharpness with low distortion across the entire frame. It even has an easy-to-use, and ingenious AF/MF functionality built right into it.

2. Zeiss Touit 50mm f/2.8 Macro

  • For Sony E-Mount APS-C Cameras
  • Aperture Range: f/2.8-22
  • 35mm Equivalent Focal Length: 75mm
  • Two Aspherical Elements
  • Two Partial Dispersion Elements
  • 1:1 Macro Capability
  • Floating Lens Element Design
  • Rigid Metal Construction
  • Rubberized Control Rings
  • Supports All Sony E Camera Functions

Aside from the challenge of bringing high levels of detail in each shot, macro lens manufacturers work hard to let photographers bring what would otherwise be small objects to full-scale renditions in their images. It is with this thought (and others) that the creation of the Zeiss Touit 50mm f/2.8 Macro lens came to be.

This model has a reasonably short minimum focusing distance of about 6-inches, and that’s the usual size of many action figures on the market. You can get up close and personal with your subjects, but it doesn’t come with shortcomings.

Shooting at such a close range can deliver darker shadows, which might not be ideal if you don’t want these elements to be highlighted in your photos.

3. Sony FE 50mm f/2.8 Macro

  • E-Mount Lens/Full-Frame Format
  • Aperture Range: f/2.8 to f/16
  • 1:1 Magnification Ratio
  • One ED Element & One Aspherical Element
  • Focus Hold Button & Focus Range Limiter
  • Minimum Focus Distance: 6.3″
  • Dust- & Moisture-Resistant Construction
  • Seven-Blade Circular Diaphragm

Many quality macro lenses are known for the substantial heft in their price tags, but the FE 50mm f/2.8 Macro lens by Sony has a reasonable cost. Despite some shortcomings, you can’t argue with its image quality. It is a satisfying treat to use it with a Sony A6300 mirrorless camera, and its focusing speed is above par that it allows a simpler task to shoot fast moving insects than using the kit lens.

Focusing can be a quieter, but at its price point, it’s tough to argue at this point. This model is ideal for dedicated macro photographers but wants to do some portrait or other types of still photography on the side. It is not, however, an excellent lens for taking videos due to its noisy internal motor.

4. Sony 30mm f/3.5 Macro E

  • E-Mount Lens/APS-C Format
  • 45mm (35mm Equivalent)
  • Aperture Range: f/3.5 to f/22
  • One ED and Three Aspherical Elements
  • 1:1 Magnification Ratio
  • Internal Focus
  • Minimum Focus Distance: 3.7″
  • Seven-Blade Circular Diaphragm

The Sony 30mm f/3.5 Macro lens for Sony’s E-mount mirrorless cameras, like the Sony A6300, is both compact and lightweight. Thus, it makes itself to be an excellent addition to your camera bag, even if you’ve already got a lot of things in there. Even with its small construction, it offers a fantastic 1:1 macro resolution with a very short minimum focusing distance.

Small objects might become larger than life when taking their photos with this macro lens. However, this can also pose a problem when you’re trying to take pictures of small insects as they might fly or scuttle off as you get close to them.

As for its sharpness, images come out with an above average level of detail, but there are some macro lenses out there that can do better. Thankfully, this unit is one of the cheapest one on the market in the macro lens category, so you can’t argue too much because of its price tag.


Macro photography with the Sony A6300 needs a dedicated macro lens to bring out excellent levels of detail in each shot. Using the kit lens that arrives with the mirrorless camera simply won’t do, especially if you’re trying to enhance your craft in this field of photography.

Looking for the right macro lens for the Sony A6300 might be difficult, but it’s not impossible. We hope this guide assisted you in reaching a conclusion to what could otherwise be a long search for the right macro lens to add to your collection.