Released very recently, the Nikon D500 is one of Nikon’s best midrange guys. It has earned the respect of plain hobbyists and pro photographers alike and continues to be used as a benchmark for new cameras.
Its features include the well-known EXPEED 5 image processing engine, a 20.9 MP DX CMOS sensor, 4K UHD video recording at 30 fps, 10 fps shooting capability up to 200 frames, native ISO of up to 51,200 (extendable to ISO 1,640,000), and a multi-CAM 20K 153-point AF module. It is also equipped with Wi-Fi, Bluetooth, and NFC!
When you are handed a camera like the Nikon D500, it is hard not to salivate and start taking pretty shots left and right. However, even the impressive specs of the Nikon D500 will not show on your final shots if you do not use the right lens. Lenses are just as important of an investment as your camera itself.
The purpose of this article is to give you an overview of some of the best lenses for Nikon D500 and show you how exactly they fare.
Best Lenses for Nikon D500
- Nikon AF-S DX NIKKOR 18-300mm f/3.5-6.3G ED $696.95 SEE IT
- Nikon 18-200mm f/3.5-5.6G AF-S ED VR II Nikkor Telephoto Zoom Lens $646.95 SEE IT
- Sigma 35mm F1.4 ART DG HSM Lens for Nikon $899.00 SEE IT
- Nikon AF-S DX NIKKOR 35mm f/1.8G Lens $196.95 SEE IT
- Sigma 85mm f/1.4 DG HSM Art Lens for Nikon F (321955) $1,199.00 SEE IT
- Sigma 50mm F1.4 ART DG HSM Lens $949.00 SEE IT
- Nikon AF-S FX NIKKOR 24-70mm f/2.8E ED $2,396.95 SEE IT
- Sigma 18-35mm F1.8 Art DC HSM Lens $799.00 SEE IT
- Tokina 14-20MM F2 PRO DX N/AF Lens $599.00 SEE IT
- Tamron SP 70-200MM F/2.8 DI VC USD $1,499.00 SEE IT
- Sigma 150-600mm 5-6.3 Sports DG OS HSM Lens $1,799.00 SEE IT
- Tamron AFF017N700 SP 90mm F/2.8 Di VC USD 1:1 Macro $649.00 SEE IT
- Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED $896.95 SEE IT
Last updated on October 23, 2017 2:47 pm
Nikon 18-300mm f/3.5-6.3G ED VR
The only things you may find off-putting about this lens for Nikon D500 is that it does not do so well against distortion. Moreover, the edges tend to look too soft when zoomed. It is also a little expensive, but then again, Nikon means quality.
Nikon 18-200mm f/3.5-5.6G ED VR II
It also has two extra-low dispersion elements, which makes shooting at wide apertures worry-free by improving sharpness and color correction. However, we think there is still a big room for improvement in the bokeh effect and its sensitivity to back light.
Sigma 35mm f/1.4 DG HSM Art
However, it is plagued with the same problems found in most lenses for Nikon D500: corner softness. If you go higher than f2.8, this problem is very noticeable.
Nikon 35mm f/1.8G
Our only complaints about this lens for Nikon D500 is that it does not appear to do very well against chromatic aberration. Moreover, its bokeh effect is a bit inferior compared with that of its competitors.
Sigma 85mm f/1.4 DG HSM Art
The only slight “cons” we noticed were that this lens for Nikon D500 is a little too bulky and heavy to be used on trips. It is also not weather-resistant, but it is weather-sealed. These things take out wildlife and outdoor photography right out of the potential applications of this lens.
Sigma 50mm f/1.4 DG HSM Art
We just wish it were not this expensive because there are other 50 mm f1.4 lenses for Nikon D500 out there that are cheaper but produce the same results. Moreover, this lens is not weather-sealed, which is just sad because it is something we expected for this price.
Nikon 24-70mm f/2.8E ED VR
The only thing we think you may not love too much about the Nikon 24-70mm f/2.8E ED VR is that it is huge and heavy. If you are using this lens outdoors or for wildlife, waiting for the perfect shot to happen may be literally painstaking.
Sigma 18-35mm f/1.8 DC HSM Art
The only disadvantages we think you will see in this lens for Nikon D500 are the limited zoom range, lack of image stabilization, and visibly uncontrolled distortion depending on the zoom range.
Tokina 14-20mm f/2.0 AT-X Pro DX
However, it does not come with built-in image stabilization and is not weather-sealed. Furthermore, there are quite a few issues with the AF module. The motor is loud, and the lens does not allow for manual intervention in AF mode.
Tamron SP 70-200mm f/2.8 Di VC USD
The only noticeable flaw in the Tamron SP 70-200mm f/2.8 Di VC USD is its weight. It is quite a heavy lens, and it can easily strain your arms or neck during long shoots. But then again, this is subjective. If your body does not find this lens heavy, good for you.
Sigma 150-600mm f/5-6.3 DG OS HSM Sports
The photos produced by this lens for Nikon D500 are sharp and have a manageable chromatic aberration. The body feels very solid and sturdy. The focus is great and fast; in fact, it is a lot better than what we expected from a 600 mm.
The only problem is zoom creep. What happens is that the zoom begins to creep forward when the lock is not engaged and the lens is pointing downward. It can get annoying at times.
Tamron SP 90mm f/2.8 Di VC USD Macro
The only noticeable problem with this model is that when shooting at wide apertures, the light appears to be concentrated at the center of the image. The corners are visibly dimmed.
Nikon 105mm f/2.8G IF-ED VR Micro
The most off-putting thing about this lens for Nikon D500 is its high cost. That is then followed by the vignetting effect that tends to show at f2.8 and the relatively limited maximum aperture.
Buying Guide for the Best Lenses for Nikon D500
Today we take a quick look at some of the features you commonly see in the best lenses for Nikon D500 today. These are mainly what determine the differences in prices of different lenses.
- Manual Focus Override
Nearly all DSLR lenses today have manual focusing rings. They allow you to manually change the focus as opposed to using AF. Manual focus override is more precise. You can manually adjust the focus without having to leave AF mode first.
- Image Stabilization
This technology is quite easy to understand. Simply put, it prevents blurring even when shooting in shake-prone settings. Shaky shots tend to be inevitable especially when using a telephoto or super telephoto lenses for handheld shots. You have to hold the camera long enough to get the right focus, but your shaky arm is not as determined as you are. This feature is simply called Image Stabilization by Canon, whereas Nikon and Sony call their versions Vibration Reduction and Optical SteadyShot, respectively.
Many lenses should be compatible with your camera’s autofocus (AF) module. Moreover, many of today’s lenses have built-in focusing motors that allow the lenses to swiftly and quietly focus on your subject. There are lenses without the silencing feature, but they can get particularly loud. Also, there are AF capabilities that work well only with images, whereas some are optimized for video.
- Lens Quality and Coating
Most of the time, a lens is expensive because of the glass it uses. High-grade lenses use high-quality glass that sometimes even comes with special lens coatings and other elements that improve image quality. It is quite easy to see what difference a good professional-grade lens makes. There are minimal reflection and distortion, and the images are sharp and consistent.
You want a weather-sealed (and water-resilient or waterproof if possible) lens if you often shoot wildlife, sports, or general outdoorsy subjects. You will not appreciate a weather-sealed lens until you have experienced the inconvenience (and expense) of damage due to rain, dust, or humidity.
The Nikon D500 is a marvel of modern technology. If you are really serious about photography, then you should have the Nikon D500 plus one or two of the best lenses for Nikon D500 in your arsenal. Your final shots will always show how much you invest in the best.