Photographs capture and preserve moments in people’s lives, some better than others. The clarity of a photograph depends on many things with the camera being of great importance. No matter how good the photographer’s skills are, the lens largely determines the photograph’s quality. As such, Smart photographers know to invest in top-quality Sony FE lenses 2018.
The market is full of a diverse array of lenses, and there is a Sony e-mount lenses for every specific purpose. As such, you not only need to know the particular type of lens you need but also how to pick the best quality brand from the numerous choices.
Here is a comprehensive review of the best Sony FE lenses 2018 for different purposes.
(Portrait Prime Lens)
The Sony FE lens improves on all the important factors while also maintaining an everyday look to its rendering. For starters, it is incredibly fast compared to other lenses in its range; in fact, it is faster than the Canon 85 1.2. Additionally, the Sony FE 85mm F/1.4 GM Lens delivers beautiful colors and incredible sharpness. Consequently, it is ideal for virtually everything as long as the photo is a portrait; weddings, nature, photo shoots, and so much more.
However, it is important to note that many photographers consider the Sony FE 85mm F/1.4 GM Lens to be larger than most other lenses. As such, you need to first check whether it is compatible with your camera before buying one.
The Sony FE 85mm F/1.4 GM Lens goes for about $1,800 and it is worth every dollar considering the quality that it delivers.
2. Sony FE 90mm f/2.8 Macro G OSS
The Sony FE 90mm f/2.8 Macro G OSS is fully optimized for macro shooting. It is especially splendid when shooting in low light, but it also works well under a bright environment. It is also fast to autofocus thanks to a sophisticated internal focus system. This is complemented by an optical image stabilization system that uses gyro sensors to detect camera movements. This works incredibly to prevent blurring, and it has a great outcome in the photo’s clarity and sharpness.
The Sony FE 90mm f/2.8 Macro G OSS is especially great at focusing. The internal focusing system is one of the most advanced. Only the middle groups in the system move when achieving focus and this allows the lens’ overall length to remain constant. It also features a focus-hold button that allows you to lock the focus to where you want it.
The Sony FE 90mm f/2.8 Macro G OSS is designed to be compatible with all full-frame e-mount cameras. However, it also fits in well with APS-C E-mount cameras with 135mm angle of view.
(Wide-Angle Prime Lens)
The Zeiss Batis 25mm f/2 lens is exceptional thanks to the distagon optical concept. This concept incorporates 10 glass elements as well as floating elements within 8 groups for incredible sharpness and clarity. It also features an integrated OLED display at the top. This display is especially great when working under low light as it allows for recognition of parameters of focus.
The Zeiss Batis 25mm f/2 lens works particularly well under low-light conditions thanks to the bright F/2 maximum aperture. It also allows for greater control of the focus position when using the shallow depth of field or selective focusing techniques. It also features linear motors that further improve the autofocus system and support quick, smooth, and quiet shooting.
This lens is sealed to keep out dust and unfriendly weather; this not only guarantees quality but also aids in durability so that you can get maximum value for your money. It is designed to be compatible with all full-frame E-mount mirrorless digital cameras.
(Ultra-Wide Angle Prime Lens)
The Zeiss Batis 18mm f/2.1 lens features an 18mm aperture that is great for working in difficult and low-light conditions. What’s more, it also features the distagon optical concept just like the Zeiss Batis 25mm f/2 lens with the exception of incorporating more elements; it incorporates 11 elements within 10 groups in addition to floating elements. The elements include two spherical ones, two aspherical elements, and five elements made of special glass. Combined, these elements go a long way in reducing aberrations and improving the resolution, sharpness, and clarity.
The Zeiss Batis 18mm f/2.1 Sony FE lens also features an integrated OLED display at the top. This display is especially great when working under low light as it allows for recognition of parameters of focus. Additionally, it features linear motors that further improve the autofocus system and support quick, smooth, and quiet shooting. It is also sealed to keep dust and harsh weather away.
The Zeiss Batis 18mm f/2.1 is compatible with all full-frame E-mount mirrorless digital cameras. It is also compatible with APS-C E-mount cameras that have a focal length equivalent to 27mm.
(Standard Prime Lens)
All factors combine to make the Sony Zeiss FE 35mm f/1.4 Distagon T excellent for standard shooting. For starters, it features a wide aperture that is complemented by a quiet AF. This makes it ideal not only for shooting photographs but for also recording clear and flawless videos. Filmmakers will especially love the highly responsive aperture ring that features a switch to change from clicked to de-click.
The Sony Zeiss FE 35mm f/1.4 Distagon T features a DDSSM focus drive that is quiet and precise. This drive utilizes piezoelectric elements that oscillate at ultrasonic frequencies. This, coupled with the wide aperture, makes this lens exceptionally quiet and further makes it ideal for recording videos. Additionally, it features advanced spherical and aspherical elements that minimize aberrations while also improving on focus, sharpness, speed, and clarity.
The barrel of the best Sony FE lens is designed to be dust and moisture resistant, and this contributes significantly to its durability. The Sony Zeiss FE 35mm f/1.4 Distagon T is compatible with all full-frame E-mount digital cameras.
(Standard Zoom Lens)
The FE lens is a part of the acclaimed G Master series that have put Sony on the spotlight. Like other lenses in the series, the Sony FE 24-70mm f/2.8 GM has a robust and compact design that is matched only by its sophisticated working techniques.
The Sony FE 24-70mm f/2.8 GM features a 24-70mm zoom that covers portrait-length to wide-angle perspectives. The 2.8 aperture is consistent and it ensures consistency in performance from wide-angle to telephoto positions of focal length. What’s more, it features a Nano AR coating that improves contrast and color rendering when working under bright lighting.
This lens features three aspherical elements that work together to reduce aberrations. One of the three elements is an XA element that features superior surface precision to also reduce coma, field curvature, and astigmatism.
It also features two super ED and four extra-low dispersion elements that work together to help with color control and clarity.what’s more, it features an OSS mode that enables you to switch between two modes: mode 1 for image stabilization and mode 2 for use with panning movements.
The Sony FE 24-70mm f/2.8 GM is sealed against dust and moisture for optimal quality and performance. It is compatible with all full-frame E-mount digital cameras.
(Wide-Angle Zoom Lens)
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The Sony Zeiss Vario-Tessar T FE 16-35mm f/4 ZA OSS incorporates a sophisticated auto-focus system that works with the consistent aperture to produce flawless photos and videos. The constant aperture supports consistency throughout the zoom angle. The aperture is also consistent when both wide open and closed thanks to the circular aperture diaphragm; this further enables natural and smooth defocusing.
As mentioned, the autofocus system of the Sony Zeiss Vario-Tessar T FE 16-35mm f/4 ZA OSS is sophisticated and excellent. Only the middle groups of the system move when shooting, and this allows the lens’ length to remain consistent when focusing and defocusing. Additionally, it is easier to use a polarizing filter with this lens as the thread at the front does not rotate.
The autofocus system is complemented by an optical SteadyShot image stabilization system that is convenient when working in dim lighting and also minimizes the appearance of camera shakeups.
The Sony Zeiss Vario-Tessar T FE 16-35mm f/4 ZA OSS features five aspherical elements that aid in reducing aberrations and improving on contrast, speed, and sharpness. The lens is compatible with all full-frame E-mount digital cameras.
(Telephoto Zoom Lens): The Best Sony FE Lenses
The Sony FE 70-200mm f/2.8 GM OSS is also a part of the popular G Master Series and it performs just as well as other lenses in the series. To start with, the constant aperture supports consistency throughout the zoom angle.
The aperture is also consistent when both wide open and closed thanks to the circular aperture diaphragm; this further enables natural and smooth defocusing.
The Sony FE 70-200mm f/2.8 GM OSS also features an XA element that features superior surface precision that reduces coma, astigmatism, and field curvature. This lens also features three aspherical elements, two super ED elements, and four extra-low dispersion elements that work together to help with color control and clarity.
Additionally, it features an OSS mode that enables you to switch between two modes: mode 1 for image stabilization and mode 2 for use with panning movements.
The Sony FE 70-200mm f/2.8 GM OSS is well protected against dust and moisture, and this also helps with quality and durability. For starters, the front lens element features fluorine coating that protects against dust and moisture. Additionally, it features Nano AR Coating that reduces reflection and flare.
(The Best Sony FE Lens Optimized For Video)
Perhaps the most impressive features of the Sony FE PZ 28-135mm f/4 G OSS are the three control rings that control iris, zoom, and focus. These rings give you far reaching control over the lens and, consequently, over the quality of your video. For starters, the focus mode gives you greater control on focus.
And it can easily be switched from auto to manual. Second, the zoom ring can be controlled over and exceptionally wide range and features reversal capability. Finally, the iris control works in conjunction with the AF motor drive system to enable responsive and quiet focusing.
The Sony FE PZ 28-135mm f/4 G OSS is the world’s first video recording lens to utilize Sony’s super-sonic wave motor. This, coupled with the smooth iris control, works superbly for quiet zooming. It also maintains a consistent field of view when focusing while also maintaining a plane of focus when zooming. Additionally, the lens eliminates any axial image shifting for even great stability.
Like all the other e-mount lenses under review, the Sony FE PZ 28-135mm f/4 G OSS is compatible with all full-frame e-mount digital cameras.
(Manual Focus Lens)
The Zeiss Loxia 21mm f/2.8 is based on the distagon optical concept. To this end, the lens delivers flawless outcomes for both photo shoots and video recordings. This is partly made possible by the five elements that work to reduce aberration and improve overall performance.
Four of the elements are anomalous partial dispersion elements while one is aspherical. It also features a bright f/2.8 aperture that is convenient when working under low light; however, it also performs exceptionally well when working in a bright environment.
All of the lens’ EXIF data is conveyed to the camera via the electronic interface fitted on the lens mount. The data can also be configured to activate the focusing magnification function on the camera when you are turning the focus ring. Additionally, the lens is protected from dust and moisture by the all-metal barrel and water-resistant gasket.
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The Sony FE 24-240mm f/3.5-6.3 OSS lens features the Optical SteadyShot image stabilization system for optimal performance. This makes it excellent for hand-held shooting as it reduces the blur caused by shaking. It is also fitted with a sophisticated internal focus system as well as a linear motor drive that further improve focusing and clarity.
The system’s front elements do not rotate when focusing, and this works conveniently well when shooting with certain lens hoods and filters. Additionally, the five elements installed aid greatly in precision and quality. Five of the elements are aspherical and one is made of extra-low dispersion glass. Combined, these elements work to reduce aberrations while also improving contrast, color accuracy, and sharpness.
The Sony FE 24-240mm f/3.5-6.3 OSS lens also impresses when it comes to appearance. It features a compact and robust design that looks as good as it performs. The designed to be compatible with all full-frame E-mount mirrorless digital cameras. It is also compatible with APS-C format E-mount cameras with a focal length equivalent to 35mm.
Photography has come a long way over the years. Today, camera equipment and lenses, in particular, are diverse and sophisticated. In fact, they are so diverse that professional photographers sometimes have a difficult time choosing among the hundreds of choices. However, there are fundamental factors that matter the most, and they are what you should consider when shopping for one.
Here are some factors to consider when determining the ideal lens for your camera.
What is the particular type of photograph that you wish to take? Whether it is a portrait or wide-angle photograph, you can be sure there is a lens made just for that. This is the most important thing to consider as the outcome of your work will depend on the particular type of lens that you use.
Professionals choose to work with specific types of lenses for their work. However, there are also multi-purpose lenses that will do it all, but not as well as the others would.
The Best Sony FE Lenses come in diverse qualities, and the quality of your lens will considerably affect the quality of the photograph. Some brands, in particular, are renowned for their excellence in the industry. You should go for when you go shopping for a lens these brands.
Photographers are judged by the quality of their photos, so your reputation greatly depends on the quality of the lens you use.
Camera equipment are diverse today. Consequently, there is always the possibility of certain parts not being compatible with others. This is especially true when it comes to lenses as they are often interchanged depending on the desired outcome.
Given all the options that there are to choose from, it is easy to buy an incompatible lens. As such, it helps to know the details including the size of the lens; you can also carry your camera to the store to test it out.
Speed and Noise
Photographers, like most professionals working with art, can be very picky about what they work with. Some prefer the noisy pop of the camera when shooting while others choose to go with silence. Some lenses are considered to be noisier that others, so you should consider this beforehand if it matters to you.
Speed, on the other hand, is not a matter of choice. A slow lens can ruin the outcome of your photo especially if it’s a rapid shooting session. As such, the lens you buy should be quick and sharp for precision.