The Canon Eos R marks a giant shift in Canon’s high-end camera line-up. It’s a full-frame mirrorless camera meant to sit down next to the Canon Eos 5D Mark IV. that’s one amongst the foremost well-regarded DLRs for professionals and amateurs with cash to pay.
Unlike the Eos M5, a cheaper mirrorless model, it’s and appears like a conventional Canon DSLR. And due to the standard of today’s prime electronic viewfinders, there’s no inadequacy within the quality of the shooting expertise.
It’s a lucid selection for Canon fans WHO have already got a stack of lenses they will use, with the assistance of the often-bundled adapter. However, next to the Sony A7 III it’s simply not pretty much as good for hand-held low-light shooting, if that’s what you’re once.
Canon has eschewed the trend of emotional separate professional and enthusiast bodies, instead pitching the Eos R squarely within the middle. It boasts a full-frame thirty.3MP CMOS device, that is on par with the Eos 5D Mark IV DSLR. the 2 sensors share abundant in common, the key distinction being that the Eos R options a phase-difference detection system with the 1D X Mark II’s twin component CMOS AF – and a staggering five,655 focus positions, that cowl half of one mile of the frame horizontally and 100% vertically.
On paper the AF ought to be untouchable, however in apply there square measure a handful of drawbacks. Out of the box, as an example, eye chase is simply potential in single AF. and therefore the optical device, despite the shared twin component CMOS AF, doesn’t appear to be quite as swish because the 1D X Mark II whereas shooting video. (Independently, some users rumored optical device snags once shooting video with bound letter of the alphabet lenses, that we have a tendency to were unable to check in time for press.) These problems ought to be available with code, however they’re annoyances within the meantime.
Canon Eos R: Video capabilities
Rounding out the most important grievances is that the issue of video. The good: the Eos R comes with C-Log as customary and might record internally at 4:2:0 8-bit with Rec. 709 color house, and outwardly at 4:2:2 10-bit with Rec. 2020. The bad: it will solely shoot 4K (UHD) up to 30fps and 1080p (FullHD) up to 60fps; if you wish to shoot at 120fps, you have got to travel all the manner all the way down to 720p (HD). the important footballer, though, is that 4K comes with an equivalent one.7x crop that afflicts the 5D Mark IV.
Canon insists that this makes the device nearly an equivalent size because the Cinema Eos line, and provides an analogous perspective to Super thirty five, thus your footage can cut seamlessly with one thing sort of a C200. And whereas the one.7x crop implies that your RF and EF lenses won’t be nearly as wide (a 24mm lens becomes forty.8mm), you’ll continually use EF-S lenses like the 10mm-18mm f/4.5-5.6 IS remembering (which becomes 17-30.6mm). None of that changes the actual fact that the Eos R’s video capabilities aren’t up to 2018 standards for a £2,300 camera.
These nasty negatives aside, however, the Eos R packs some serious wallop elsewhere which may structure for its shortcomings. Like Nikon, Canon has introduced a brand new lens mount with its full-frame mirrorless system. whereas the new RF mount has an equivalent 54mm diameter because the existing EF mount, its 20mm back focus distance (from rim to sensor) is a smaller amount than 0.5 the 44mm of its older relation. this allows Canon’s engineers to provide optics with larger rear components and higher performance, like the very good RF 50mm f/1.2L USM.
The mount conjointly options a brand new 12-pin association (over the EF’s eight pins), enabling superior info and power transmission between body and lens. This works in tandem bicycle with the Digic eight processor to supply improved performance on some older EF and EF-S lenses – all of which might be used on your Eos R straight out of the box, because the Mount Adapter EF-EOS R is enclosed with each camera. The approaching Drop-In Filter Mount Adapters add polarising or variable ND filters to any EF or EF-S lens, proving that Canon isn’t simply making an attempt to induce you to switch all of your glass – it’s creating your recent lenses even higher on the Eos R.
Canon EOS R: Build and handling
If the viscus fall somewhat wanting expectations, the Eos R’s exterior unquestionably exceeds them. The metallic element alloy body screams “quality”, feeling as sturdy because it will fantastic to carry. As you’d expect, it’s dramatically a lot of svelte than its DSLR cousins; wherever the 5D Mark IV could be a thick-cut kitchen appliance chip, the Eos R could be a french fry. whereas just about as diminutive because the Sony A7RIII, it’s roughly an equivalent size as Nikon’s Z6 and Z7.
This does, of course, result in the inevitable scenario wherever larger lenses – the RF 50mm f/1.2L USM and notably the RF 28-70mm f/2L USM – threaten to feel unbalanced on the smaller body. this may be offset, though, by adding the BG-E22 Battery Grip – that, in contrast to Nikon’s MB-N10 Multi-Power Battery Pack for the Z bodies, encompasses a shutter and management dial for vertical shooting.
Which isn’t to mention that larger lenses don’t handle well on the Eos R. we have a tendency to had no drawback mistreatment the 50mm f/1.2 for a full afternoon, and even the 28-70mm f/2 (weighing in at one,430g) feels fine for anyone WHO has lugged around a 1D X with a camera lens. However, the RF 24-105mm f/4L IS USM is that the clearly good pairing for this camera. Its f/4 aperture might not be quite as exciting, however it fits the Eos R sort of a glove and balances sort of a sensible brand.
Whichever RF lens you decide for, ahead of the manual focus ring you’ll notice an extra input: the management ring. this may be programmed (or left inactive, if you prefer) to regulate aperture, shutter, white balance or ISO, giving an additional dimension of management and customisation; videographers, for example, can jump for joy at the power to possess a cinema-style aperture ring (although the ring on the launch lenses isn’t de-clicklable). This input may also be value-added to any EF or EF-S lens with the management Ring Mount Adapter.
Canon EOS R: Performance
The Eos R’s thirty.3MP sensor, Digic eight processor and RF lenses deliver formidable image quality. In our science lab tests it blew away the Canon 5D Mark IV, Sony A7R III and Nikon Z7 in terms of ISO noise performance, although it didn’t fare similarly within the resolution stakes – however that’s no surprise against the Z7’s 45.7MP and therefore the A7R III’s 42.4MP sensors. The Eos R incontestible higher dynamic vary than the Sony up to ISO400, however across the board it couldn’t quite maintain with its rivals on paper.
The tests disclosed some attention-grabbing variations with the 5D Mark IV. The sensors in each bodies appeared thus similar that we have a tendency to expected their performance to be identical. The DSLR, however, scores slightly higher in color accuracy and dynamic vary, and in resolution up to ISO800. It’s obvious from our use that the Eos R outperforms the 6D Mark II, however even if it’s simply a matter of inches we have a tendency to actually expected that it might be fully par with the 5D Mark IV.