The Canon EOS Rebel T5i / 700D may be a terribly capable and versatile camera that produces top-quality pictures. it’s a comprehensive feature set and affords all the management expected by enthusiast photographers whereas providing automatic hand-holding choices for fewer practised users.
Although the Canon EOS 650D was the primary DSLR to own a touchscreen, Canon sanely determined that the bit controls ought to be added to instead of rather than the button and dial controls.
Update: Check out Canon EOS Rebel T7i Review
Canon EOS Rebel T5i Price
This helped widen the camera’s charm, creating it enticing to novices upgrading from a touchscreen smartphone or compact camera, still as enthusiast photographers. As a result, in keeping with Canon, the camera has sold all right.
Nevertheless when but year the whole has determined to switch the Canon EOS 650D with the Canon Rebel T5i / EOS 700D, conjointly called the Canon EOS Rebel T5i. It sits aboard the Canon EOS 600D at the terribly high of Canon’s “consumer” lineup, just under the Canon EOS 60D that starts its “enthusiast” vary.
However, the new camera solely makes some upgrades on the model it replaces.
The overwhelming majority of the Canon 700D’s specification is the same because the Canon 650D’s. for instance, the eighteen million component APS-C sized detector and also the 14-point Digic five processor ar constant. It conjointly has constant hybrid optical device system to be used in living read or video mode still as a nine-point, all-cross sort section detection system to be used once exploitation the finder.
As before, the detector has pixels that are used for the section detection a part of the hybrid autofocusing system that’s accessible once exploitation Live read mode or shooting HD vidEOS.
When the Hybrid AF is in action, it uses the central pixels to tell the section detection half and find the topic on the point of sharp – from then, the distinction detection steps in to urge it into full focus. this suggests that you simply will use the camera hand-held. Canon claims that the performance of this method once one amongst the new immediate memory lenses is mounted has been improved.
Like the Canon EOS 650D, the Canon EOS 700D will shoot at 5fps, and also the sensitivity are often set within the native vary ISO 100-12800, which may be expanded to ISO twenty five,600 if necessary. This makes it a fairly versatile camera, capable of shooting during a wide selection of things.
One of the most important changes brought with the new camera is that the impact of the inventive Filters (Grainy Black and White, Soft Focus, Fish-Eye, Art Bold, Water Painting, Toy Camera and Miniature Effect) are often previewed on the screen once shooting in Live read mode – even as you’ll with the Canon EOS 100D and also the Canon EOS M.
However, these ar still a JPEG-only possibility, therefore you cannot have a ‘clean’ raw file recorded with the JPEG. If you would like associate unfiltered image still mutually with the result on, you would like to use the filter post-capture exploitation the Canon EOS 700D’s post-processing choices.
Alternatively, the Canon EOS 700D has the same old array of image designs (Standard, Portrait, Landscape, Neutral, trustworthy and Monochrome) still as motorcar, within which the camera selects what it calculates to be the acceptable possibility mechanically, and it will apply 3 user-defined designs.
All of the planned choices are often adjusted to style and might be used once shooting raw still as JPEG files.
Build and Handling
Canon has clearly used the same mold for the EOS Rebel T5i as it did for the EOS Rebel T4i, since the two camera bodies look almost identical, with the only visible difference being a change to the mode dial.
The icons on the Canon EOS Rebel T5i’s dial are raised rather than just painted and it’s edged with a finer texture. This higher-quality dial can also be rotated through 360 degrees, so you don’t have to turn it backwards and forwards to reach the options you want. Rubbing a finger over the two cameras also reveals that they have a slightly different texture, with the Canon EOS Rebel T5i feeling a little coarser – in a good way. The rubberized coatings on the finger and thumb-grips remain exactly the same and give good purchase. While it lacks the robustness of Canon’s professional-level DSLRs, the Canon EOS Rebel T5i feels well made, with no movement detectable at any of the joints. The articulating joint that attaches the LCD screen and enables it to be rotated around for viewing from very high or low angles, or from in front of the camera, has a high quality feel. The Canon EOS Rebel T5i has the same control and menu layout as the Canon EOS Rebel T4i that it replaces. As before the menu is spread across 11 tabbed screens in stills setting, including a My menu option to which you can assign up to six features for quick access – we find it helpful to use this to reach the Mirror lock-up, Highlight tone priority, Auto Lighting Optimizer and Flash handle options.
The menu can be navigated and options selected via the touchscreen or the button and dial controls. If the Feature Guide is activated via Set-up Menu 3, touching an on-screen icon once brings up an explanation of the feature, while a second touch displays its available options. A single touch is all that is required if the Function Guide will be deactivated. As on the Canon EOS Rebel T4i, the power switch includes a third option that’s used to activate Movie mode. Once this has been done, the button on the back of the digital camera that starts Live View in stills setting becomes the movie record button.
Although the Canon EOS Rebel T5i has all the button and dial controls that we expect from a camera at this level, it is also possible to control the camera via the 3-inch 1,040,000-dot touchscreen. This is very responsive, and once you start using the touch controls you find that you use them more and more because they are so intuitive. It’s great to be able to swipe across the camera’s display to scroll through images and then pinch to zoom in to inspect details. It’s just a shame that Canon has buried the rating control in the menus.
We found that the vari-angle screen provides a good, clear view with lots of detail visible even in quite bright light, making it very useful when composing pictures at ground level or above head-height. The touch-shutter facility, which allows the AF to become set and the shutter tripped with a touch of a finger on the display screen, is particularly helpful in these situations.
However, the screen inevitably gets covered in fingerprints and these obscure the see, so it’s a good idea to carry a decent lens cloth with you so you can give it a wipe now and then. Because it’s a DSLR rather than a compact system camera, the Canon EOS Rebel T5i has an optical viewfinder. While this only covers 95% of the frame and carries the risk of including a few extra elements along the edges of images, it is brilliant and pleasant to use.
As usual these days, when given the choice we would opt to compose images within the LCD when focusing manually, because the enlarged view makes it easier to be precise with the focus point.
Given that they have the same sensor, it’s not surprising to discover that the Canon EOS Rebel T5i can resolve exactly the same amount of detail as the Canon EOS Rebel T4we (UK version Canon EOS 650D), and that the two cameras’ image quality is very similar.
Noise is well controlled throughout the sensitivity range, although as you’d expect, images taken using the upper ISO values have some coloured speckling visible. It’s interesting that our lab tests reveal that the Rebel T5i produces slightly noisier images than the Rebel T4i at the lower to mid sensitivity settings. Canon has probably made this change to the image processing to bring out a bit more detail. The Canon Rebel T5i can produce high-quality pictures direct from the camera with plenty of fine detail and pleasant, natural colors, but as usual the best results are produced from raw files that are carefully processed. Examining our images at 100% on the screen indicates that the camera’s default sharpening is a little on the high side, and more natural images are created by turning the in-camera Sharpness value down.
As is Canon’s way, the white balance tends to lean a little towards warm tones, but this isn’t dramatic and it usually results in more attractive images.
However, Canon’s evaluative metering system continues to give mixed performance. In some situations it is superb, but in high contrast conditions you need to be alert to the brightness of the subject under the active AF point, since this can skew the result. Bright subjects can trick the digital camera into under exposure, while dark ones can lead to over exposed pictures. This is an issue through the entire Canon DSLR variety, but it seems especially strange in models that the company is aiming at novice photographers (as well as enthusiasts), such as the Canon EOS Rebel SL1 (Canon EOS 100D in the UK) and Canon EOS Rebel T5i.
While most users want the topic to be correctly exposed, few will be happy with a wildly over exposed landscape because the focus point is in shadow. With a dynamic range of almost 12EV at ISO 200 and ISO 400, it’s clear that the Canon EOS Rebel T5i is capable of recording a wide range of tones. Nevertheless, these are compressed in the JPEG documents to create a higher comparison image with more punch. Unlike the results for signal to noise ratio, our dynamic range measurements for the Canon Rebel T5i match those from the Canon Rebel T4i almost exactly.
Our tests confirm that Canon has improved the performance of the hybrid focusing program that’s available in Live View and video mode.
We found that the Canon EOS Rebel T5i is appreciably quicker to achieve focus with one of the STM lenses mounted compared to the Canon EOS Rebel T4i. Nevertheless, the focusing still isn’t really fast enough to be used with a moving subject. When you use the viewfinder to compose images, the Canon Rebel T5i reverts to the more standard phase detection autofocus system. This works well, with each cross-type stage finding its target quickly and accurately even in quite low light and with low contrast topics.
The only down side is that with “just” nine AF points it’s often necessary to focus the lens and then recompose the image, because there isn’t a point directly over the subject.
Canon’s STM lenses really come into their own when shooting movie, and the new 18-55mm f/3.5-5.6 IS STM kit lens’s focusing is very quiet and smooth when Movie Servo AF is enabled. It’s so smooth, in fact, that sometimes it’s hard to tell that the focus is slowly being adjusted. The end result, however, is quite high quality footage with no sound of the focusing system in action.
While post-processed raw data files generally create better monochrome pictures, it’s very helpful to have an idea of how the final images will look. It’s also fun trying to get shots just right in-camera. The Canon Rebel T5i’s Monochrome Picture Style generates some excellent results, with subtle toning being possible. In many cases the images are print-ready.
Check Out: Best Canon EOS Rebel T5i / EOS 700D Lenses
The Canon EOS Rebel T5i is a very capable and versatile camera that produces high quality images. It has a comprehensive feature set and affords all the control expected by enthusiast photographers while providing automatic hand-holding options for less experienced users. It produces images that are of very similar quality to those from the Canon Rebel T4i, although our tests reveal that they are a little noisier.
The Rebel T5i once again highlights the benefits of shooting raw images rather than JPEGs as being able to tailor the noise reduction and sharpening to the specific conditions produces higher quality results. While some may scoff at the vari-angle touchscreen, we say don’t knock it until you’ve tried it. It’s extremely responsive and it promotes creativity. We are becoming increasingly used to touchscreen handle on a range of other devices, so it seems odd that Nikon hasn’t yet employed the technology in a DSLR.