Canon PowerShot G5 X Mark II Review

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The Canon PowerShot G5 X Mark II has been launched at the same time as the Canon PowerShot G7 X Mark III, and comes with the same new ‘stacked’ CMOS sensor and DIGIC 8 processor, to allow a step-change in video recording capabilities, up from full HD to 4K, plus improved high-ISO performance, and an unusual fully-automatic 30fps burst mode which captures images in Canon’s own highly efficient CR3 RAW format.

This push towards speed, power and processing reminds us of Sony’s continued evolution of its tiny but expensive RX100 series cameras. And that’s not the only feature of the new G5 X Mark II that has a Sony echo about it. Wait till we get to the viewfinder.

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Canon PowerShot G5 X Mark II Price

The G5 X also has a new 5x zoom lens, which is both longer than the lens on the original PowerShot G5 X, with a new maximum 120mm equivalent focal length, but also offers a fast f/1.8 aperture at the widest zoom placing which only drops to f/2.8 even at full zoom. Its lens by itself makes the G5 X Mark II look like it could potentially be one of the best compact cameras to buy right now and its 1-in . sensor gives it an instant advantage in image quality over regular point and shoot digital cameras and even the best camera phones.

Other notable features in this brand-new camera include in-built focus bracketing (up to 100 shots), in-camera panoramas at full resolution and revised user interface that offers a very similar look and feel to Canon’s very own EOS cameras – Canon says that its superior Powershot models like this one are often chosen as ‘second’ cameras by EOS fans. With that in mind, Canon has also updated the Picture Styles to more accurately reflect the ones on its DSLR cameras.


The original PowerShot G5 X had a rather appealing ‘micro-DSLR’ design which included an electronic viewfinder in a housing on the top of the camera. The new G5 X Mark II is very different. The viewfinder housing has gone and the EVF is now incorporated into the body via the pop-up/slide-out arrangement initial used by Sony on its RX100 series cameras.

This has allowed a smaller, neater, rectangular body design that means the new model is much more pocketable compared to the old one – on the other hand, it has lost a lot of the character and charm of the initial design, even if it is more practical.

The brand new G5 X Mark II looks very similar to the G7 Mark III launched simultaneously, which we were told is deliberate. The control layout and external appearance are quite similar and you have to look closely to tell which is definitely which.

The retracting viewfinder does keep the camera shape more compact, but it does feel a bit of a drag having to pop it up and then slide out the eyepiece before you can use it. It’s not the highest resolution EVF out there with 2.36 million dots, but it’s sharp and clear and does the job.

We do like the overall feeling of quality, the ‘stacked’ mode dial and EV settlement dial and the customizable zoom lens control ring. This is a small camera, though, and inevitably this affects its everyday usability. A camera that fits in your pocket is a good idea, but if you don’t enjoy shooting with it, that’s where it’s likely to stay.


The PowerShot G5 X Mark II uses the same sensor, processor and autofocus system as the G7 X Mark III, and feels nearly the same as use, with fast and positive AF at normal focus distances and zoom settings, and especially rapid and effective face detection.

The image quality is less impressive. The G5 X Mark II has a 1-inches sensor, which is an excellent deal larger than the average compact camera sensor and halfway to the size of a DSLR or mirrorless camera, so we were expecting clean, sharp results. But while the colors in our test pictures were natural-looking, punchy and saturated and the exposures were generally very well balanced, the fine detail was less impressive.

It was disappointing to see the same kind of smoothed-over noise-reduction we’re used to seeing in smartphones and stage and shoot compacts, but not in a premium compact camera. It’s much less obvious, to be fair, but it’s there nonetheless. When you zoom in and compare the G5 X Mark II’s fine detail rendition to that of an APS-C camera, the distinct smoothing effect in finely textured detail is definitely disappointing – as is the fairly crude picture sharpening, which can leave great halos around some objects. Megapixels aren’t everything.


The new Canon PowerShot G5 X Mark II is certainly smaller and more powerful than its predecessor. It today includes a longer-range 5x contact lens, a more compact design thanks to its pop-up EVF and far more powerful 4K video shooting capacity. But was Canon wise to leave out a mic socket? In an age of keen vloggers and articles creators, this feels like a mistake. Canon will point out that the cheaper G7 X Mark III does have a mic socket – but this camera doesn’t have a viewfinder, so it feels like you’re getting asked to produce a choice you shouldn’t have to make.

The PowerShot G5 X Mark II is an interesting and powerful pocket camera for keen photographers and videographers, but it’s not cheap and it’s not perfect for either stills or video. The G5 X Mark II ticks a lot of boxes, but they’re not very strong ticks.

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