Nikkor Z DX 50-250mm f/4.5-6.3 VR Review

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The introduction of the Nikon Z50 has caused a stir all alone, but Nikon’s new camera also includes two new DX (APS-C) format Nikkor Z lenses.

Alongside Nikon’s flagship APS-C mirrorless camera, the Nikon Z50, also come two shiny brand-new DX-format lenses. The camera’s ‘kit’ lens may be the Nikkor Z 16-50mm f/3.5-6.3 VR pancake zoom, which allows you to obtain a full-frame comparative focal selection of 24-75mm. However, if you are a sports activities, wildlife or portrait professional photographer, then you will be most excited because of this Nikkor Z DX 50-250mm f/4.5-6.5 VR.

Nikon Nikkor Z DX 50-250mm F/4.5-6.3 VR

$451.36  in stock
1 new from $451.36
1 used from $425.00
as of January 20, 2021 4:46 am


  • Compact telephoto zoom lens: fast-focusing lens with normal to telephoto 50–250mm focal length range (FX- format/35mm equivalent 75–375mm).
  • Minimum focus distance of just 0.5 m: lets users focus sharply on subjects that are closer.
  • In-lens vibration reduction: shoot at shutter speeds up to 5 stops slower that otherwise possible
  • Silent control ring: for Key functions including manual focus, aperture control, and exposure compensation
  • Travel light: lens is super compact when retracted and weighs 405 grams.

This telephoto zoom lens offers you a 35mm equivalent focal selection of 75-375mm, making this a fantastically versatile little bit of kit that’s correctly suitable for the Nikon Z50. The Z50 has been marketed as a twin-lens package that gets both of you of the new zoom lenses

Build and Handling

As the variable aperture of f/4.5-6.3 doesn’t specifically blow us away, there are some interesting specifications that definitely capture our eye. The foremost is the in- zoom lens vibration reduction, which allows you to shoot at shutter boosts to 5 stops slower than otherwise feasible. This somewhat works as a soothing balm for the gradually adjustable aperture, as this can help you capture sharp shots also in low light.

Meanwhile, the Nikkor 50-250mm f/4.5-6.3 also offers a minimum focusing length of just 0. 5m. Paired with the narrow focal duration range that the 50-250mm f/4.5-6.5 features, this will allow you to fully capture closer subjects without fretting about missing your focus.

When you want to visit all over for your picture taking, the last thing you should do is lug lots of heavy kit about. Fortunately, the Nikkor Z 50-250mm f/4.5/6.3 is nicely small when contracted and weighs just 405g.

However, a brilliant light build will come at a cost. The 50-250mm is apparently made from plastic, instead of metal. While plastic material lenses don’t possess the status for hardiness that metallic lenses do, the truth is that this telephoto zoom lens wouldn’t be therefore spectacularly light if it wasn’t made in this manner.

All in all, regardless of the plastic material build, the 50-250mm f/4. 5-6. 5 felt reassuringly durable – despite its light-weight. The control band and zoom band were both enjoyable to make use of and there is no stiffness when extending or retracting the zoom lens.


Like the Nikkor Z 16-50mm kit lens, this lens offers fast, silent autofocus. It takes perhaps half a second to travel from minimum to maximum focus distance, but that’s still pretty quick, and a pretty extreme focus modification you rarely want in true to life. For more regular focus adjustments, this zoom lens is very quick indeed.

Nikon’s VR picture stabilization program is firing on all cylinders too. Inside our testing we could actually get yourself a good hit price of sharp photos at 1/30sec and actually 1/15sec at the utmost 250mm zoom establishing (375mm comparative) – that’s amazing, and a reminder that in-lens optical stabilization could be equally as good as ( probably better still than) in-body stabilization systems.

The lab email address details are impressive too. The Nikkor Z DX 50-250mm f/4.5-6.3 VR won’t match an expert lens for quality, especially at longer focal lengths, nonetheless it certainly outperforms its price, and with the added advantage of the effective VR program, this is a far greater telephoto zoom than we’d expect because of this money. It really is, however, a far better value within the Nikon Z50 twin-lens package than when procured individually.

Nikon NIKKOR Z DX 50-250mm F/4.5-6.3 VR Specs

Focal Length 50 to 250mm (35mm Equivalent Focal Length: 75 to 375mm)
Maximum Aperture f/4.5 to 6.3
Minimum Aperture f/16
Lens Mount Nikon Z
Format Compatibility APS-C
Angle of View 31° 30′ to 6° 30′
Maximum Magnification 0.23x
Minimum Focus Distance 1.64′ / 50 cm
Optical Design 16 Elements in 12 Groups
Diaphragm Blades 7, Rounded
Focus Type Autofocus
Image Stabilization Yes
Filter Size 62 mm (Front)
Dimensions (ø x L) 2.91 x 4.33″ / 74 x 110 mm
Weight 14.29 oz / 405 g


The Nikkor Z DX 50-250mm f/4.5/6.3 VR is a good little lens that’ll be ideal for enthusiasts seeking to make the leap into mirrorless, or content material creators excited to keep their smartphones behind for something with a little more oomph. The flexible focal length range implies that you can catch anything from portraits to sports activities, to wildlife without skipping a defeat. Although the build can be plastic, it implies that this lens is indeed lightweight you might find yourself checking the end of your camera to make sure it’s still there!


  • Super light
  • Compact when contracted
  • Up to 5 stops of VR

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