Panasonic HC-X1000 is renowned to have one of the slickest designs in the camera world. It was Panasonic’s very fist 4K offering in the prosumer Best Panasonic Camcorder world that not only had the very impressive 20 x optical zoom but also a built-in ND filters.
The camera also incorporated a host of features regarding the 4k frame rates and codecs. The camera is renowned to have been well priced in the Best Panasonic Camcorder market at £2,559 which is £1000 less than the famous Sony AX1.
Courtesy the inclusion of a 4K 8-MP 1/2.3-inch BSI sensor, the Panasonic camcorder can be termed a bit old school that belonged from the time of 5D Mk II that was known for making the depth of field a norm. But unlike others, the camera holds a fantastic feature of offering a 50p to 60p coupled with the UHD technology, so this Panasonic machine has a hell a lot to offer.
1- 4K Cinema and Ultra High Definition.
2- Panasonic Video Camera Capability leading up to 60 fps.
3- 20x optical zoom lens.
The first question that comes to the mind of every purchasing merchant before looking out for a camera in the market is “Who is this for?” There is no ambiguity whatsoever that 60 fps at UHD is an eye catching feature that most videographers in the world would drop dead. The camera supports a number of codec formats that include MP4, AVCHD and MOV shows that this camera is seriously versatile. Despite of all these qualities, the camera does have a few drawbacks that you need to consider before buying it.
Despite of the fact that MP4 codec jumps up to a staggering 200 Mbps, the image offers little to no room for manipulations in post editing. There is no doubt that the camera is a lot hard pushed to get past nine hurdles of the dynamic range test.
This pretty much confirms the fact that the camera wasn’t an ideal choice for indie users but is more suitable to be utilized for commercial usage such as shooting weddings and parties, a fact confirmed by the Panasonic itself.
The camera doesn’t stand behind when it comes to the features for the task it offers and having more of an ENG design, it comes with all sorts of buttons and switches. The camera allows brisk switching in varying environments and has a white balance set to an impressive 3200 and 5600k.
The lens of the camera is considered as the best feature of the lot as the 20 x optical zoom is suitable for most scenarios of the videography. Moreover the autofocus is also reusable.
The camera also incorporates an image stabilization system which is a 5 axis hybrid system that utilizes the software and produces fantastic results. The critics were successfully able to check the telephoto end of the lens with surprisingly, little shakes. Anyone who is more often than not off the tripod, this will be a very useful feature.
The camera comes with a couple of 64GB SD cards that save a good amount of cash for the purchase. Panasonic’s motto is that their customers never miss a shot and hence the two card slots integrated into the device. One of the card records continuous shooting while the other records what you ask to do while pressing the REC button.
The camera also provides you with an option of shooting one after the other which means that you don’t have to leave the camera and click continuous action. Despite of the fact that this isn’t a ground breaking feature, it is a feature that can prove to be very useful for those who want to capture Sports.
Adding to the list of features are histograms, zebras and focus peaking/expands features that make this wonderful camera very useful for day in day out usage. The camera is very user friendly and allows easy accessibility in buttons and with respect to the menu.
The phone provides a wonderful battery time of six hours which is very essential when you’re shooting interviews and kills every fear of missing a useful shot for something as fundamental as a battery. It also helps in stopping you from changing the battery mid interview when conducting long sessions. One extra battery would be enough for a day of consecutive recording and that is amazing to see. The 64GB SD cards that are serviced with it will take 5 h and 20m of uninterrupted 4K Panasonic video camera recording at 200 Mbps and if you are recording back to back on the SD cards that means a total of over 10 h of shooting time.
The exposure mode in the camera is fully manual despite of turning all physical controls into manual and yet the camera still adjusts the exposure automatically. This means that the camera kills an essential feature for those who are serious about recording a video.
The camera funnily enough has a beep sound on every pressing of the button which would be a bit inappropriate for a wedding or a conference event. Yet we thought there might be a way to fix this flaw related to the camera but after checking every submenu with never ending beep sounds we failed miserably.
The device is very light and neat to hold which gives it more portability even when compared to the Sony AX 1 but the downside is its plastic built and the buttons don’t give you a very quality finished product feel.
The worst example of the inferior quality design is the plastic door on the audio controls that gives a very filmsy feel and would catch easily when dropped inside a bag. The critics expect build quality to suffer because the camera belongs to the cheaper end of the market but with its price it proves to be a false economy when plastic door strap off leaving camera parts exposed.
The touchscreen LCD is good enough and bright but the reflections do cause problems during the bright sunny days. Some critics didn’t find the addiction of the touchscreen as utilizing this Best Panasonic Camcorder with gloves is a necessary occurrence in today’s time. The viewfinder integrated into the camera is a quality feature and sets it apart from other average camcorders in the market.
So far in this article we’ve discussed plenty of pros and cons of the camera but the image quality somehow swings against it. While the 4K quality images are heavily color oriented and brilliant but they come up with the expense of noise. Anything that isn’t shot during the extreme daylight looks really dull and muddy.
People expect sharpness from a 4K camera but Panasonic’s tendency to achieve extra sharpness resulted into noise in its pictures regarding this device. All in all, the Panasonic HC-x1000 image quality is potentially a major disaster for this device depending on the type of work you want to accomplish.
Putting through your 4k images under post production causes serious problems and it makes sense as the ability to crop images without the loss of pixels can help if you’re stuck in editing. The managing of the 4k files is very had from ingestion to edit and after effects to export as it is very slow compared to the managing of 1080p footages.
Panasonic’s desire to drop down the value 4K video recording is appreciable but it’s hard to suggest the Panasonic HC-X1000 at the moment. Panasonic is terming this camera as a prosumer camcorder, but it’s really tough to foresee why it will be worth splashing the money just for the recording capacity of 60fps in 4K when it is paired with a surprisingly average photo quality.
There’s no ambiguity that this is a featured full prosumer Panasonic camcorder. The battery, lens quality and dual SD card slots integrated are all cool features and it ticks quite a few boxes for Panasonic video camera enthusiasts, but it isn’t the camera you should choose if you’re thinking of switching to 4K in a long term.
There are some attractive features related to the Panasonic HC-X1000, but Panasonic HC-X1000 image quality superbly suffers under lowlight. Maybe a larger sensor integrated into it would help utilizing its other features a little better.
1- Compact and a lightweight design.
2- Reasonable Price.
3- 60 frames per second 4K shooting.
1- Poor Low Light Performance.
2- Restricted Dynamic Range.
3- Plastic Design.
4- Small Sensor.