The Lumix S5 should appeal equally to photographers and videographers and gives you A LOT for your money!
Panasonic already makes three full-frame Lumix S cameras, and the Lumix S5 makes it four. Where the others are pretty weighty cameras aimed at professionals, the Lumix S5 is smaller, lighter, cheaper and nimbler, and targeted at the surging market for hybrid photo/video content creation tools.
The Lumix S5 does not, however, look like a cut-down budget alternative. Although it’s considerably smaller sized than the S1, S1R and S1H – and smaller even compared to the Micro Four Thirds Lumix GH5 – it has a weather-sealed die-cast magnesium alloy body, the same sensor as the Lumix S1 and extremely impressive video capabilities.
|1||Panasonic LUMIX S5|4k Camera| Mirrorless Camera| Full-Frame| L-Mount Camera with Flip Screen (3”)|LUMIX S 20-60mm F3.5-5.6 Lens|5-Axis Dual I.S.|4K 60p Video – DC-S5KK (Black)||Check Price|
- 24.2MP full-frame CMOS sensor with no AA filter
- Up to 4K/60p (APS-C), full-frame oversampled 4K/30p all with 4:2:2 10-bit colour
- Panasonic contrast-detect DFD AF with improved face, body and head detection
- 2.36M dot OLED EVF w/ 0.74x magnification
- 3” 1.84M dot fully articulating touchscreen
- Dual SD card slots (1x UHS-II, 1x UHS-I)
- 96MP high-resolution mode
- 7 fps burst shooting (5 fps with continuous autofocus)
- 2.4/5Ghz Wi-Fi and Bluetooth with one-touch image transfer
- Dust and splash resistant
- 460 shots per charge when used with EVF
Some Panasonic mirrorless cameras, like the Lumix S1H and GH5S, are definitely skewed towards video, but the Lumix S5 goes straight down the middle with features that will appeal equally to stills photographers. At heart, it has the same 24-megapixel full-frame sensor as the Lumix S1 and uses a similar contrast AF with DFD (Depth from defocus) autofocus system. Panasonic says this can work down to -6EV and uses high-speed 480fps communication between the body and Panasonic Lumix S lenses to achieve autofocus times as short as 0.08sec. With this model, Panasonic states it has introduced ‘deep-learning’ technology to allow real-time detection of subject types and human features like eyes, faces, heads and bodies – and can carry on tracking people even if they move quickly, turn their back, tilt their head or move further away.
The Lumix S5 has a hybrid in-body and lens-based optical stabilisation system which offers up to 6.5 stops of shake compensation, or around 5 stops with lenses that don’t have O.I.S. This same sensor-shift stabilisation system is used to offer a 96-megapixel High-Resolution mode, which can capture and merge both JPEG and raw images in-camera, from eight images taken consecutively.
There is also a Live Composite mode for long exposures of fireworks and other night scenes where you want to catch high-brightness subjects without overexposing the background.
A new 2,200mAh battery offers 470 shots on a charge using the live viewfinder (LVF) or 1,500 shots in Power Save mode, and you can both power the camera and charge the battery via a USB-C port.
There are two SD/SDHC/SDXC card slots, though only one is UHS-II compatible – the other is UHS-I only.
This being a Panasonic, you also get a 6K Photo mode, where you can select individual 18-megapixel frames from sequences captured at 30fps.
The Lumix S5 looks good as a compact and affordable full-frame stills camera, but its video credentials are more impressive still.
Its headline feature is its ability to capture 4K 60p/50p 4:2:0 10-bit video internally – the 60p frame rate combined with 10-bit recording already elevates it above most rivals.
Other options include 4K 30/25p 4:2:2 10-bit movie recorded internally, and 4K 30p 4:2:0 8-bit internal recording with no time limit – made possible by Panasonic’s “exceptional” heat dispersal technology. Heat buildup is a hot topic (sorry) with 4K cameras right now.
The Lumix S5 can record higher-quality video to an external recorder via HDMI, with 4K 60/50p 4:2:2 10-bit available at launch and a firmware update to follow by the end of 2020 to allow 5.9K raw capture with an Atomos Ninja V.
Panasonic’s V-Log/V-Gamut profiles are included, along with V-Log View Assist, Waveform Monitor and a variety of other recording modes including a 4:3 Anamorphic mode, Slow & Quick Motion (4K 1-60fps – 30x quick to 2.5x slow, FHD 1-180fps – 60x quick to 7.5x slow), 4K intervals shooting and 4K HDR.
The Lumix S5 inherits the Dual ISO feature of the Lumix S1H, with two native ISO settings of ISO 640 and 4,000. This switches noise control circuits at high ISO settings for optimum high-sensitivity capture, which tops out at ISO 51,200. Panasonic says the S5 offers 14+ stops of dynamic range, to put it on a par with dedicated cinema cameras.
The firmware update, due by the end of 2020, will include the raw HDMI output already mentioned, plus C4K recording, Anamorphic 3.5K (3536×2656) at 50p and other video functions including Vector Scope Display, and Master Pedestal Adjustment and SS/Gain Operation (SEC/ISO, ANGLE/ISO, SEC/dB)
Optional accessories for the Lumix S5 includes a Microphone Adaptor (DMW-XLR1) for XLR mics and others, a battery Grip (DMW-BGS5) with an extra battery for up to 940/3,000 shots, a Remote Shutter (DMW-RS2), DC coupler (DMW-DCC17) and Tripod Hold (DMW-SHGR1).
Check Out: Best Lenses For Panasonic Lumic S5
The Panasonic S5 is a 24MP full-frame mirrorless camera built around the same sensor as the Panasonic S1, but in a smaller, more affordable body. In fact, despite having a full-frame sensor, the S5 is smaller in every dimension than its Micro Four Thirds sibling, the GH5. Aiming to appeal to both photographers and videographers, it includes updates to Panasonic’s DFD autofocus system, new creative photo modes, and video features that come close to matching both the GH5 and the much more expensive S1H.